1:56 AM
Wesman Todd Shaw
The D 45, by C.F. Martin & Co
The
Martin D-45 is the top of the line acoustic guitar produced by the
legendary American company, C.F. Martin & Co. It is a similar guitar
to their more widespread, affordable, and famous model, the D-28, in
that it features a solid spruce soundboard, solid rosewood back and
sides, and the high "X" bracing that is present on almost every single
studio or professional quality guitar used for playing leads, or even
rhythm. The Martin D 45 starts at a base price of $7,500.00, and then
goes as high as the pocket is deep.
The most famous, loved, and purchased acoustic guitars in the world are all Dreadnought, or "flat top" guitars-and they are always either guitars made by C.F. Martin & Co., the Gibson guitar company-or, they are copies of models that are made by Martin or Gibson.
The most famous, loved, and purchased acoustic guitars in the world are all Dreadnought, or "flat top" guitars-and they are always either guitars made by C.F. Martin & Co., the Gibson guitar company-or, they are copies of models that are made by Martin or Gibson.
The Martin D 45, a Front View, and Headstock Variations Featuring Abalone Inlay
The Martin D 45, Martin's Flagship Acoustic Guitar
What
distinguishes the Martin D-45 from other models in the Martin line, or
other imitations of equal or greater value is the abalone inlay that is
virtually everywhere on the Martin D-45. Especially noticeable is the
abalone inlay in the solid ebony fingerboard. What you see, and what the
inlay is used for is to demonstrate for the player, or the careful
observer, the fret that the player is on with his left hand-this,
assuming that the guitarist is right handed. Never fear, left handed
pickers, or aspiring musicians-all Martin guitar models are available in
left handed models, as well as the standard right handed model.
Also noticeable is the abaloneinlay on the D-45 headstock, and a break from the traditional horizontal signature on the Martin Headstock, as the D-45 is abalone inlay, and vertical. I've imported two very fine pictures that show this beautiful feature. Maybe you noticed, and maybe you didn't-but the tuning keys on the D-45 are gold plated. We're talking about an instrument that goes to every extreme for beauty.
There is no such thing as a dressed down Martin D 45, there is however, such a thing as a D 45 being even more dressed up. You need to realize that the Martin D-45 isn't the most common guitar that you'll see, in fact, it's a pretty uncommon guitar. I've played untold dozens of Martin guitars, and owned two, but I've only ever played ONE Martin D 45, and this was simply the most beautiful, dressed up guitar that I've ever seen. Take a deep breath, the one I played was for sale for "only" $45,000.00
Forty Five grand for a guitar might sound completely stupid to you-but it's not if you make your living using that guitar to do so. It's no different than that cowboy who bought a forty five thousand dollar pick up truck to haul his tractor and tools around with. Also, that particular D 45 had the most beautiful inlay pattern that I'd ever seen-it was various colors of green, and pearl white, and was of some kind of vine, and it "grew" from the sound hole up to the head stock.
One more thing to consider when thinking about abalone inlay-it's very bad for the health of the Luthier building these guitars to breathe in the abalone dust that is created when the precision made pieces are cut for the guitar's inlay. I'm not sure that it's even worth it to do that sort of thing without all the right equipment. Think about that when you price a D 45, or other model of guitar featuring lots of abalone inlay.
Also noticeable is the abaloneinlay on the D-45 headstock, and a break from the traditional horizontal signature on the Martin Headstock, as the D-45 is abalone inlay, and vertical. I've imported two very fine pictures that show this beautiful feature. Maybe you noticed, and maybe you didn't-but the tuning keys on the D-45 are gold plated. We're talking about an instrument that goes to every extreme for beauty.
There is no such thing as a dressed down Martin D 45, there is however, such a thing as a D 45 being even more dressed up. You need to realize that the Martin D-45 isn't the most common guitar that you'll see, in fact, it's a pretty uncommon guitar. I've played untold dozens of Martin guitars, and owned two, but I've only ever played ONE Martin D 45, and this was simply the most beautiful, dressed up guitar that I've ever seen. Take a deep breath, the one I played was for sale for "only" $45,000.00
Forty Five grand for a guitar might sound completely stupid to you-but it's not if you make your living using that guitar to do so. It's no different than that cowboy who bought a forty five thousand dollar pick up truck to haul his tractor and tools around with. Also, that particular D 45 had the most beautiful inlay pattern that I'd ever seen-it was various colors of green, and pearl white, and was of some kind of vine, and it "grew" from the sound hole up to the head stock.
One more thing to consider when thinking about abalone inlay-it's very bad for the health of the Luthier building these guitars to breathe in the abalone dust that is created when the precision made pieces are cut for the guitar's inlay. I'm not sure that it's even worth it to do that sort of thing without all the right equipment. Think about that when you price a D 45, or other model of guitar featuring lots of abalone inlay.
The D 45 With Solid Koa Wood Back and Sides
The Koa Wood Martin D 45
As
I've stated above, the tradition with the Martin D 45 is that it is a
guitar featuring the finest solid rosewood back and sides. This is
still the case-but the Martin D 45 is also available with another, less
often used tonewood, and that is Koa wood.
Why is it that different woods are used for acoustic guitars, and how do these woods affect the sound of the instrument? In the past, there was less opportunity for confusion on this issue, since most guitars were made of mahogany, rosewood, maple, ebony, and spruce. But with the dwindling availability of traditional tonewoods, particularly those cut from old-growth forests, major manufacturers and smaller luthiers have been compelled to consider the use of alternative species of tonewoods- some of them common and others decidedly uncommon. ~Dama Bourgeois~
Koa wood is becoming more and more popular as a tonewood for fine guitars, and it's a wood with some pretty interesting characteristics. I'll say that it would be impossible for you to go wrong with a koa wood guitar. . . but you just might not be getting exactly what you thought you wanted unless you've got a studied ear for guitars, and tonewoods. Let me explain: Koa wood's tonality varies more than mahogany or rosewood, depending on the density of the wood used; and koa wood density varies as well. Basically, it comes down to this: The more dense the koa wood - the more the guitar will sound like a rosewood guitar. The less denser specimens of koa wood make for a guitar that sounds more like a mahogany guitar.
Why is it that different woods are used for acoustic guitars, and how do these woods affect the sound of the instrument? In the past, there was less opportunity for confusion on this issue, since most guitars were made of mahogany, rosewood, maple, ebony, and spruce. But with the dwindling availability of traditional tonewoods, particularly those cut from old-growth forests, major manufacturers and smaller luthiers have been compelled to consider the use of alternative species of tonewoods- some of them common and others decidedly uncommon. ~Dama Bourgeois~
Koa wood is becoming more and more popular as a tonewood for fine guitars, and it's a wood with some pretty interesting characteristics. I'll say that it would be impossible for you to go wrong with a koa wood guitar. . . but you just might not be getting exactly what you thought you wanted unless you've got a studied ear for guitars, and tonewoods. Let me explain: Koa wood's tonality varies more than mahogany or rosewood, depending on the density of the wood used; and koa wood density varies as well. Basically, it comes down to this: The more dense the koa wood - the more the guitar will sound like a rosewood guitar. The less denser specimens of koa wood make for a guitar that sounds more like a mahogany guitar.
Snowflake Abalone Inlay on the D 45 Marquis
Prices Start at $7,500.00, and Up For Martin's D 45 Acoustic Guitar
Prices
start out for this beautiful guitar at seven thousand, five hundred
dollars. The base model comes with a solid Sitka spruce soundboard, high
X bracing, and solid East Indian rosewood back and sides. The base
model has over 900 pieces of abalone inlay found virtually all over the
instrument. The deluxe case that this guitar comes in itself retails out
at $190.00.
Martin D 45 Marquis
The
next level up on the Martin D 45 ladder is the Marquis model, which
features some "Golden Era" specifications not found on the standard
model, such as the solid Adirondack spruce top, and "snowflake" style
inlay. This guitar sells for a $10,000.00 The "snowflake" abalone
inlay pattern essentially gives you a lot LESS abalone inlay. The pride
and joy of the musician who owns THIS model of D 45 is the Adirondack
"red" spruce top, Adirondack spruce is the premium, and often preferred
soundboard for pickers, or soloist. This guitar is geared less towards
beauty, and more towards sound.
The Golden Era D 45 with Brazilian Rosewood
Beautiful Brazilian Rosewood on the D 45 Golden Era
The Martin D 45 Golden Era
The
Martin D 45 Golden Era is the top of the ladder, the only way to get a
guitar designed to be more beautiful in sound and appearance is to
special order one from either Martin, or the luthier or your choice.
What distinguishes the Golden Era D 45 from the rest is that it has both
the solid Adirondack spruce soundboard and solid Brazilian
rosewood back and sides. The beauty of Brazilian rosewood is not only in
it's appearance, Brazilian rosewood has specific tonal characteristics
that are completely unique to that tonewood. This guitar retails at
$20,500.00
The D 45 By C.F. Martin & Co.
Source
Conclusion
In
conclusion, I'd like for you to understand that the Martin D 45 is a
guitar built for beauty, and all Martin guitars built with solid
tonewoods are built for premium sound, and are intended for a
professional, or a serious enthusiast. Having said that, it's important
to understand also that a guitar enthusiast is often mostly interested
in the guitar's tone and playability. Because no two guitars, even
guitars made from the same woods from the same trees by the same luthier
will be "equal," a standard model Martin D 45 might very well be
preferable to one musician over a Golden Era model-based on sound.
The opposite might be true for someone else. The Golden Era model, however, will always retain a higher value both new, and used to most any and every consumer. I hope that this has been interesting and useful to someone-and I haven't touched on some of the finer, less known and considered specifications for these types of guitars, but should you stay tuned-these subjects will also be addressed. As always, I'm happy to answer any questions that you might have. Till then, play your guitar!
The opposite might be true for someone else. The Golden Era model, however, will always retain a higher value both new, and used to most any and every consumer. I hope that this has been interesting and useful to someone-and I haven't touched on some of the finer, less known and considered specifications for these types of guitars, but should you stay tuned-these subjects will also be addressed. As always, I'm happy to answer any questions that you might have. Till then, play your guitar!
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